Archive for the ‘Gospel of Luke’ Category

Advent 2: A Song that Means Blessed

December 5, 2009


Benedictus © Jan L. Richardson

Canticle, Advent 2, Year C: Luke 1.68-79

“Burning/all night long/Burning/at the gates of dawn
Singing/near and far/Singing/to raise the morning star.”
–Bruce Cockburn

This Sunday, instead of a passage from the psalms, the Advent lectionary gives us a canticle—one of those those songs that trace a melodic, poetic, and oftentimes prophetic line through both testaments of the Bible. Reading the lines of what has become known as the Canticle of Zechariah, I cannot help but hear voices, and melody. I’m not having an auditory hallucination; the sounds are lodged in my memory, imprinted by years of singing these words on the occasions when I have gathered with my sisters and brothers of Saint Brigid of Kildare Monastery.

For a millennium and a half, this passage from Luke has been part of the Liturgy of the Hours, the monastic round of prayer that stretches from before dawn throughout the day and evening and into the dark again. Specifically, this text is chanted at the hour of Lauds, one of the early morning offices of prayer. It is known as the Benedictus: in Latin, this means blessed.

Blessed is the first word of the song that Zechariah sings. It is the first word we hear from his lips after the silence that the archangel Gabriel imposed on him when he dared to be incredulous at the news that his wife—who, as Zechariah himself described it, was “getting on in years”—was pregnant with the child whom we would come to know as John the Baptist, the one who would “make ready a people prepared for the Lord” (Luke 1.17). Like Mary’s song that precedes it, Zechariah’s canticle is a potent song about what God has accomplished. It is a song, too, of what God will yet do in and through the life of this child—this baby eight days old—to whom Zechariah sings.

After Zechariah has blessed and praised God for some verses, he turns his focus on his child beginning in verse 76: “And you, child, will be called the prophet of the Most High; for you will go before the Lord to prepare his ways, to give knowledge of salvation to his people by the forgiveness of their sins.” One can imagine this father gathering his son into his arms as he raises what surely must have been a bittersweet song. If he knew this much about his son, Zechariah must also have had some understanding, like Mary in the temple after Simeon sang of her son with words about light and glory, that the shadow of a sword hovered close by.

And yet Zechariah sings. Full of wild hope, he sings. Knowing the state of the world, he sings. And he closes his canticle with these words:

By the tender mercy of our God,
the dawn from on high will break upon us,
to give light to those who sit in darkness
and in the shadow of death,
to guide our feet into the way of peace.

These are my favorite lines of the canticle. When I pray with the St. Brigid’s community on our annual retreat, in that early morning hour when I am still in the realm between sleep and full waking, we chant these lines twice: once at the beginning of the canticle, and again at the end. In my mind, these lines are so bound together with sunrise and meeting the day that I can almost imagine that we—all of us around the world who sing these words at the outset of the day—sing them not in response to the coming of dawn but rather to help ensure it. Not in a literal fashion, of course; the physical rising of the sun does not depend on us (and a good thing, too, as my night owl self rarely is up at that hour). But there is some kind of light that depends on our waiting for it, watching for it, singing it into this world. And when we can’t, God bids us trust that there are others watching and waiting and singing on our behalf and on behalf of the world.

Sitting down to write this reflection, I receive an email from a friend with surprising, horrendous news about her young husband’s health. Yesterday, word of the death of a colleague’s son in an accident. My prayer list for those in peril—medical, financial, emotional—steadily grows. And here in Advent, as those of us in the northern hemisphere journey through the darkest part of the year, we gather these words about ourselves and pray for tender mercy. Not in denial, but, like Zechariah, in the place where wild hope is born.

I read the lines again, and again I hear the voices of my sisters and brothers, praying at dawn. Praying for dawn. Praying the dawn. Voices rising, falling, rising again.

In darkness, we sing.

In the shadow of death, we sing.

Blessing, we sing.

Blessed.

Whom do you hear as you read the lines of this canticle? How do you watch and wait and sing for the light? Who does this for you when you cannot? Who might need you to do it for them? What wild hope do you carry in these days?

Amid the shadows, may we lift our voices in blessing. Peace to you.

[To use the “Benedictus” image, please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]

Advent 1: Practicing the Apocalypse

November 23, 2009

Image: Apocalypse, Again © Jan Richardson

Reading from the Gospels, Advent 1, Year C: Luke 21.25-36

As I write this, I’m en route from Orlando to New Brunswick, Canada, where I’ll be leading a women’s retreat as we prepare to enter into Advent. It seems fitting that my journey into Advent, a season characterized by waiting, is beginning with flight delays. The delay in Orlando turned out great not only because the extra hour and a half that I spent there provided one of the calmest interludes that I’ve had amidst the extra-full pace of the past few weeks, but also because it reduced the amount of time I’m currently having to spend laid over at an airport that shall remain nameless.

The airport is absolutely crammed with people, and my inner introvert is reeling. I’m usually really good at being able to find a semi-quiet spot in any airport, but this evening I’m doing well just to have found a few square feet of space here on the floor outside a door marked “Bus Hold Room” as I eat my second turkey sandwich of the day. (Not because I have a hankering for turkey; let’s just say that the airport could do with a few more food options at this terminal.) Amid the masses, it feels like I’m in some cosmic way station. I find myself marveling at the endless variety by which humans can take shape, and also overwhelmed by their sheer numbers, close proximity, and noise.

All in all, I’m finding this a good place to think about the apocalypse.

Each year, the lectionary for the first Sunday of Advent gives us a version of Jesus’ words about the end of days. This year Luke does the honors. In Luke 21.25-36, we read of celestial signs, cataclysms of nature, and distress upon the earth. Jesus speaks of fear and foreboding that will come upon the people. He tells of how, in the days to come, the powers of the heavens will be shaken.

Along with its parallels in the gospels of Matthew and Mark, this passage forms part of what is sometimes called the “little apocalypse.” It seems a sobering and grim way to welcome us into a season that in the Christian tradition is a time of expectation and celebration and that the wider culture typically depicts as cheery. Yet in greeting us as we cross the threshold into Advent, this apocalypse-in-miniature reminds us that this season bids us not only to remember and celebrate the Christ who has already come to us, but also to anticipate and look toward the fullness of time when he will bring about the redemption of the world.

That’s what Jesus is really getting at in this passage, after all: he is not offering these apocalyptic images in order to scare the pants off people but rather to assure his listeners that the healing of the world is at hand, and that they need to stay awake, stay alert, and learn to read the signs of what is ahead. He is calling them not to crumble or quail when intimations of the end come but instead to “stand up and raise your heads, because your redemption is drawing near.” Jesus urges his hearers—and us—toward practices that help them stay grounded and centered in their daily lives so that they won’t be caught unawares in the days to come.

This is the message that the lectionary gives us each year as we enter into Advent. Again and again, we are called to circle back around the apocalypse, to revisit its landscape, to take in its terrain. With its annual return, and its repetitive challenge to us, this passage puts me in mind of an episode of Buffy the Vampire Slayer. Preparing to save the world yet again, a weary Buffy has this exchange with Giles, her Watcher:

Buffy: How many apocalypses is this now?
Giles: About six, I think.
Buffy: Feels like a hundred.

The season of Advent gives us the apocalypse each year not only so that we might recognize it, should it come, but also—and perhaps especially—that we might enter more mindfully into our present landscape and perceive the signs of how God is working out God’s longing in the world here and now. The root meaning of the word apocalypse, after all, is revelation. And God is, in every time and season, about the work of revealing God’s presence. The one who came to us two millennia ago as Emmanuel, God-with-us, and who spoke of a time when he would come again in fullness, reveals himself even now in our midst, calling us to see all the guises in which he goes about in this world.

Advent reminds us, year in and year out, that although we are to keep a weather eye out for cosmic signs, we must, like the fig tree that Jesus evokes in this passage, be rooted in the life of the earth. And in the rhythm of our daily lives here on earth, Christ bids us to practice the apocalypse. He calls us in each day and moment to do the things that will stir up our courage and keep us grounded in God, not only that we may perceive Christ when he comes, but also that we may recognize him even now. There is a sense, after all, in which we as Christians live the apocalypse on a daily basis. Amid the destruction and devastation that are ever taking place in the world, Christ beckons us to perceive and to participate in the ways that he is already seeking to bring redemption and healing for the whole of creation.

As we enter the season of Advent, and spiral yet again around the landscape that this first Sunday gives to us, how might Christ be inviting you to practice the apocalypse? What are the habits that keep you centered in God, that sharpen your vision, and that help you recognize the presence of Christ in this world? How do you participate in the redemption that God is ever working to bring about within creation? What is it that you long for in these Advent days?

Blessings and peace to you in this coming season.

[For last year’s reflection on Mark’s version of this passage, visit Through the Door.]

[To use the image “Apocalypse, Again,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]

Home for the Holidays

December 19, 2008

Image: A Home for God © Jan Richardson

Reading from the Gospels, Advent 4: Luke 1.26-38

Thanks so much for the blessings and good wishes and virtual treats I’ve received while being out of commission this week. They continue to be good medicine for body and soul. Cootie Girl is on the mend and slowly easing back into the swing of things. I have to say that while I would like to have been the determiner of my down time (and I really had been planning to have some anyway this week, honest), getting sick in the thick of Advent is not without its benefits.

Advent shares common ground with Lent in that, as a season of preparation, it invites us to a time of reflection and to let go of what insulates us from God. Caught up as many of us tend to be in the intensities of the pre-Christmas pace, doing that reflective work sometimes gets lost along the way. When feeling my worst this week I didn’t feel much like reflecting (I didn’t feel much like doing anything at all), and I don’t want to put too much of a philosophical or theological shine on feeling crummy, but it was instructive to be confronted with such an interruption of my plans, and to look through some doors that opened in a way I hadn’t orchestrated.

At my ickiest I didn’t even feel like reading, which for me is really saying something, but later in the week I did spend some time with a few of my art books. I figured that even if I was taking a break from producing I could at least feed my eyes and fill my creative well a bit. One of the books I pulled off the shelf was a delicious tome of a book titled Byzantium: Faith and Power (1261-1557), published to accompany a major exhibition of the same name that was held at the Metropolitan Museum of Art in 2004. As with the exhibition, the book gathers a massive and stunning collection of artful artifacts from the Byzantine Empire, whose capital was Constantinople, and presents them by categories including sculpture, liturgical implements, icons, illuminated manuscripts, and liturgical textiles.

Yum.

As I paged through the lavish illustrations, it occurred to me that each medium to which these medieval artists gave themselves was their way of making a home for God. The book, the bowl, the icon; the triptych opening to reveal holy faces worn by centuries of lips pressed in reverence; chalice and paten, reliquary and sanctuary: each form offered an invitation to the sacred, beckoning it to draw close and be perceived, touched, kissed, met. These artists knew that we cannot capture or contain God within any medium. Their creations reveal instead their desire to offer, amid the strangeness of being in this world, a habitation for the God who calls us here.

It’s this kind of desire that we encounter in this week’s reading from Luke 1.26-38. The story of the annunciation to Mary tells us of how, with her own body, Mary makes a home for God. The medium of her own flesh becomes a habitation for the holy. It’s not simply her willingness to become pregnant and give birth to Jesus, however, that makes Mary someone who provides a dwelling for God. When Gabriel greets her, he says to her, “The Lord is with you.” Already God has found a home with her.

In response to Mary’s perplexed query about how it can be that she will bear a child, Gabriel tells her, “The Holy Spirit will come upon you, and the power of the Most High will overshadow you.” His words provide a dramatic resonance with last week’s reading from Isaiah, in which the prophet proclaims, “The spirit of the Lord God is upon me, because the Lord has anointed me; he has sent me to bring good news to the oppressed, to bind up the brokenhearted, to proclaim liberty to the captives, and release to the prisoners…” By her assent, her not merely willing but audacious yes, Mary sets in motion these very actions and others that Isaiah lists. Liberty, release, healing, an end to oppression: these are the wonders that Mary goes on to sing about in the Magnificat that we hear this week: the actions of a God who brings restoration and redemption to a world that has become deeply disordered.

Mary’s yes to Gabriel, her assent to God, her willingness to make a home for the divine within her own self: these all give the lie to a history that has too often depicted her as meek and mild. Her response to God, and the work that she takes up, are the actions of a prophet, in the ancient Hebrew sense of it: one who recognizes the presence of God in the world, who points it out to others, who does not give up hope that the people will come to know God. Meekness and mildness are not enough to sustain Mary in the prophetic work God has called her to do.

Her actions are not only prophetic, but priestly as well. I remember what a jolt I received one day in seminary as I sat among the stacks in the theology library, reading an article I had just found titled “Mary and the Eucharist: an oriental perspective.” The author, Orthodox theologian Sebastian Brock, limns the links between the Mother of God and the sacrament of Eucharist. He notes, for instance, that in the Liturgy of St. James (one of the Eucharistic liturgies of the Eastern Orthodox tradition), the priest prays to God to “send your Spirit so that he may overshadow and make this bread into the life-giving Body, the saving Body, the heavenly Body, the Body which brings salvation to our souls and bodies, the body of our Lord and God and Saviour Jesus Christ….”

Overshadow. The word that tells what the Spirit does within Mary, now used to describe what the Spirit does in the sacrament of the table, not only within the bread but also within us. Overshadow, inhabit, dwell: this is how the Spirit works, seeking to make a home among us. One that is not an exclusive residence or a walled shelter, either; we hear, after all, Paul’s words to the Romans this week, in which he writes of “the revelation of the mystery that was kept secret for long ages but is now disclosed” (from Romans 16.25-27). It is a spacious home that, like Mary, we are challenged to offer: a dwelling that reveals the presence of God rather than hiding it away.

So how is God seeking to make a home in you in this season? What audacious yes might God be inviting you to offer? How does making a home for the sacred help you find a place for yourself in this world? What sustains you in this prophetic, priestly work?

In this and every season, may we, like Mary, be a home for the God who desires to dwell with us. Blessings.

[For another reflection on the Annunciation, visit Getting the Message.]

[To use the image “A Home for God,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]

Mary, Magnifier

December 16, 2008

Image: Magnificat © Jan Richardson

Canticle, Advent 4: Luke 1.47-55

Instead of giving us the expected psalm among this week’s readings, the lectionary offers us a song from the Gospels: the Magnificat. Taking its name from the Latin version of its first line, Magnificat anima mea Dominum (“My soul magnifies the Lord,” NRSV), this is an ancient song of praise that we hear on the lips of Mary, the woman who will give birth to Christ.

Mary’s Magnificat joins an intriguing treasure trove of scriptural songs that are commonly known as canticles. Spanning both testaments, the canticles are present in almost every form of biblical literature, including the preaching of the prophets (in joy as well as in lamentation), the wisdom sayings, historical narratives, epistles, and apocalyptic visions. These songs both interrupt and adorn the text; the imagery and rhythms of their poetry heighten and illuminate the drama of the passages in which they are embedded. Though ranging across the entire Bible, the canticles form a textual body of their own. Along with the Psalms, they offer a vibrant core of poetry from which the church for centuries has drawn to give voice to our joy, sorrow, praise, and hope.

In her essay in The Canticles (a collection published by Liturgy Training Publications more than a decade ago—and later suppressed, but that’s another story), Irene Nowell, OSB, writes of how the canticles “function like a bridge between telling our story and turning to God in prayer. In form and style,” she observes,

they resemble psalms, but they differ from the psalms in their setting…. These prayers are set in the mouths of specific people in specific situations. They both interrupt the flow of the story and add to its meaning. They are bridges over the gap between life and prayer.

I keep this collection of the canticles on a small table by my door. Usually I leave it open to one of the wonderfully haunting monotype prints that artist Linda Ekstrom created to adorn its pages. But for the past couple of days it’s been open to the Magnificat, the Canticle of Mary, the song in praise of the God who turns the world upside down.

Mary offers this song in response to a blessing. Luke tells us that when Mary finds herself alone in the wake of the archangel Gabriel’s visit, she goes “with haste” to see her kinswoman Elizabeth, who is experiencing a strange pregnancy herself. As soon as she hears Mary’s greeting, Elizabeth intuits what has taken place, and she lays a mighty blessing on Mary for how she is participating in the work of God. “Blessed are you among women,” Elizabeth cries, “and blessed is the fruit of your womb.” Elizabeth continues in a powerful benedictory vein for some verses.

In response, Mary sings.

My soul magnifies the Lord,
and my spirit rejoices in God my Savior,
for he has looked with favor
on the lowliness of his servant…
He has shown strength with his arm;
he has scattered the proud in the
thoughts of their hearts.
He has brought down the powerful
from their thrones,
and lifted up the lowly. (Luke 1, excerpts)

I find this scene among the most potent in all of scripture. The image of Elizabeth offering her words of blessing, and Mary responding with song: this moment epitomizes the power of the act of blessing. With her gesture of grace, Elizabeth the Blesser challenges us toward similar action: to recognize where God is working in the world, and to participate in bringing this work to completion.

The blessed Mary sings about the God who is doing a new thing, but her song is not entirely original. Within its cadences we hear the ghostly echo of a more ancient song. In one of the first canticles to appear in the scriptures, a woman named Hannah offers praise to God for responding to her plea for a child. After she leaves her long-awaited son Samuel at the Temple to begin his training as a nazirite, Hannah sings, in part:

My heart exults in the Lord;
my strength is exalted in my God.
My mouth derides my enemies,
because I rejoice in my victory…

The Lord makes poor and and makes rich;
he brings low, he also exalts.
He raises up the poor from the dust;
he lifts up the needy from the ash heap,
to make them sit with princes
and inherit a seat of honor. (1 Sam. 2.1, 7-8b)

With a voice of longing and exultation that links them across the generations, both women are singing not only about pregnancy and physical birth. For Hannah and for Mary, the massive change within them is linked to a radical transformation beyond them. There is a congruence between what God has stirred within them—in their wombs, in their souls—and what God is stirring in the world.

I find myself wondering about that kind of congruence, and how God is calling it forth in my own life. Regardless of whether we’re called to give birth to physical children, God challenges us to cultivate an interior spirit that is intimately linked with the world beyond us. In this Advent season, what’s stirring inside me that connects me with the world around me? What is God seeking to bring forth in my life that enables me to participate in the transformation that God is working in all creation? And how is God challenging me to be both Elizabeth, Blesser, and Mary, Blessed?

I think I’ll leave my copy of The Canticles open to the Magnificat for a while yet, on its table by my door. In these Advent days, perhaps the words of Mary’s ancient song will be a visible blessing—invocation, benediction—as I pass back and forth across the threshold, from exterior to interior and back again.

May you have cause to sing today. Blessings.

[For a further reflection on the Magnificat, visit Door 14: Remembering Forward.]

[To use the image “Magnificat,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]

Getting the Message

December 16, 2008

Image: Getting the Message © Jan Richardson

Reading from the Gospels, Advent 4: Luke 1.26-38

One of the things that intrigues me about medieval artwork is the way that it has its own stories to tell. In depicting biblical scenes (which provided the material for so much artwork in the Middle Ages), medieval artists sometimes incorporated visual stories that we don’t find in the Bible. Though without an actual scriptural basis, the symbolic text the medieval artists gave us can engage the imagination, raise questions, and illuminate a given story beyond what the written text provides. It works something like an artful midrash that invites us to imagine the worlds between the words.

Here’s my favorite example. In many medieval (and Renaissance) depictions of the Annunciation—that moment when the archangel Gabriel comes to Mary to ask her to become the mother of Jesus—Mary is depicted reading. (The chronic reader in me loves this.) Usually she’s depicted with a book that indicates that she’s at her prayers when Gabriel shows up. Sometimes, in a wonderful bit of anachronism, it’s a Book of Hours that Mary is reading. (The Book of Hours was a popular prayerbook in the Middle Ages. Often lavishly illustrated, Books of Hours always included a section of prayers in honor of Mary, with artwork that illustrates scenes from her life…including the Annunciation, in which the artists depict her reading…a Book of Hours…) Other times, her book is open to Isaiah, specifically to the passage in which the prophet says this to King Ahaz:

Therefore the Lord himself will give you a sign. Look, the young woman is with child and shall bear a son, and shall name him Immanuel. (Isaiah 7.14)

The Christian tradition came to interpret this passage as a foretelling of the birth of Jesus, God-with-us, to Mary. In depicting her reading this very text, the medieval artists did some intriguing time-twisting, opening an imaginative portal between the sign given to King Ahaz and the miracle given to Mary.

Though the image of Mary reading at the moment of the Annunciation doesn’t appear in the biblical text, I love this artful notion of the reading, praying Mary. It reveals something of the medieval view of Mary, and it offers evidence of a kind of visual lectio divina the artists did as they pondered Mary’s story. In depicting her with a prayerbook or with the sacred text of her tradition, the artists conveyed the compelling idea that Mary was already immersed in the word before the Word became immersed in her.

This image of Mary challenges me to ponder what texts—written or otherwise—I’m steeping myself in. What words, what images do I give my attention to: on the page, in conversation, in the course of my daily life? In a culture that inundates and sometimes assaults our eyes and ears with messages in all manner of forms, how do we read in a way that keeps us attuned to the sacred?

Am I, like the medieval Mary, immersing myself in the word in a way that helps me notice when a divine messenger shows up with an outrageous invitation? That’s what the word angel means in the original Greek: one who comes with a message. How do I cultivate an openness to that message, to the Word that longs to find a home in me, in us?

Blessings to you.

[To use the image “Getting the Message,” please visit this page at janrichardsonimages.com. Your use of janrichardsonimages.com helps make the ministry of The Advent Door possible. Thank you!]